Showing posts with label Wendi McLendon-Covey. Show all posts
Showing posts with label Wendi McLendon-Covey. Show all posts

Monday, February 7, 2011

Oh 'Bridesmaids,' This Is How You Treat Melissa McCarthy?

By WICF Contributor Rachel van der Steur

My esteemed colleague Meghan O'Keefe recently posted her excitement about the upcoming movie Bridesmaids, and I share her glee. An ensemble comedy packed with undeniable female talents written by 2 chicks? What's not to celebrate? This movie is a giant leap forward for women in comedy. There is nothing not to rejoice about here.

Except.

Except for Melissa McCarthy. I LOVE Melissa McCarthy. She nailed the "best friend/wacky sidekick/voice of reason" role as Sookie St. James on "Gilmore Girls" for 7 years. She was great alongside Christina Applegate in "Samantha Who?" She's hilarious and relatable in the current series "Mike and Molly". She is extremely beautiful. And this movie wastes her. In Bridesmaids, Melissa plays an aggressively unattractive tomboy. Greasy hair, unflattering clothes, gas problems. I'm not suggesting that women have to be beautiful all the time. Certainly not. But, and let me be candid here, why's it gotta be the fat girl?

I'm a fat girl. A lot of my friends are fat girls. And we manage to be attractive, smart, and really funny at the same time. It's obvious from her other work that McCarthy can do that, too. I know ensembles require a variety of personality types to work. I know that if this movie were The Hangover, she'd be Zach Galifianakis. It's a characterization that fits well in a movie like this. But why couldn't she be played by Ellie Kemper? Or Wendi McLendon-Covey? Or Rose Byrne? Why does the women already viewed by most of society as undesirable have to play the ugly girl?

Hollywood doesn't like overweight people. Neither does the fashion industry. Neither does this writer for Marie Claire. But shouldn't we like ourselves enough to refuse to play these bigoted reindeer games? Shouldn't we be secure enough in our talents to not let our appearance be the joke?

I'm still excited about Bridesmaids. I'll probably still see it opening weekend. But my ass won't be the only thing weighing heavily when I do.

Tuesday, February 1, 2011

'Bridesmaids' Has Its Place in the Pantheon

By Contributor Meghan O'Keefe

It’s a movie about women who get into fights with each other over a wedding. We’ve seen it before, right? Quite a few times, in fact. We’ve seen it enough times that although we know a tight script and charming performances can make the story enjoyable, we also know that girl fights and the idea that a wedding day is the most important day of any woman’s life can be jarring to feminist sensibilities.

So why am I getting ridiculously psyched about Bridesmaids and what it means for women in comedy? Look at that line-up:



  • Melissa McCarthy started her career as a PA on her cousin Jenny’s sketch comedy show and as a stand-up comic. Then, she was on “Gilmore Girls” — you know, that show lauded for its quippy dialogue, ability to balance heart with comedy, and dense collection of fully realized background characters. Now she’s on one of the highest-rated sitcoms in the country (love it or hate it, it’s TRUE). McCarthy has comedy cred.
  • Wendi McLendon-Covey was a member of the Groundlings from 2002-2009. So, she has straight up improv comedy cred. Add to that her time on “Reno 911!,” and we’re talking obscene comedy cred.
  • Ellie Kemper started doing improv at Princeton and then went on to be in Big Black Car at the P.I.T. in NYC. You guys know Big Black Car, right? Kristen Schaal, Kurt Braunohler, and Matt Oberg’s troop. Everyone on that team is an improv god. Oh, yeah, she’s also on “The Office.” Kemper has serious comedy cred.
  • Kristen Wiig. Um … do I need to start? Groundlings, “Saturday Night Live,” bit parts in numerous Apatow productions and other comedies. She’s considered by many to be the star of “Saturday Night Live” right now. Wiig clearly has massive comedy cred.
  • Maya Rudolph. Again with the Groundlings and again with “Saturday Night Live.” Do I even need to affirm Rudolph’s comedy cred?
  • Rose Byrne. The lone dramatic actress in the bunch. However, she is an amazing character actress and character actors usually acquit themselves brilliantly with comedy. She already did with her Lily Allen-meets-Cheryl Cole impression in Get Him to the Greek. Byrne doesn’t have comedy cred, per se, but she’s got credibility.

Why did I spell all this out? Because we’re looking at the first ensemble female comedy that boasts an ensemble of female comedians. These are not pretty ingĂ©nues put in a high school comedy with a couple of supporting assists from “SCTV” alums. This is a pantheon of comedy goddesses. Yes, Fey & Poehler did Baby Mama, but that’s a buddy film. Yes, I’m aware of a film called Spring Breakdown, but it was released straight to DVD. Look at this poster. The producers mean business. They mean for this to be as big a summer comedy as Wedding Crashers, The Hangover, or Knocked Up.

If the link doesn't work, you can see it at the Bridesmaids iTunes site.


I had to write an article recently about the issue of female comedies and why a lot of them are dismissed as chick flicks by the comedy mainstream. During my research (which was super serious and involved drinking a lot of wine while watching movies while wearing a fish hat) I realized that maybe the reason a lot of female comedies aren’t given much thought by male comedians is because the actresses in them don’t often come from a comedy background. These women have those chops. Male comics are sitting up and buzzing about this film. So, if this film does do great box office, it’ll show that women who come from stand up, improv and “SNL” can star in comedies and pull in the same money that male stars from those backgrounds do. Which means … more female comedians in starring roles in comedies. Big deal, guys. HUGE. The film could be about knitting circles or a finishing school. I wouldn’t care. The very existence of this film is a pro-female statement.

So, that’s why I’m crossing my fingers and holding my breath that Bridesmaids is an incredibly funny film. It should be. I mean, look at that talent. These women could hiccup hilariously on camera together for two hours and it would be amazing. More importantly, I’m hoping that people turn up to see it. I’m hoping that the box office receipts reflect the talent involved because, in Hollywood, money makes the big decisions. So, I know already no matter how broke I am come May 13, 2011, that I’m going to see this film in the theaters. Anyone else want to join me?


Meghan O'Keefe is a comedian in NYC. She covers this topic and more at megsokay.tumblr.com